Mumyozoshi
Mumyozoshi (Wu Ming Cao Zi ; literally "nameless book") is an early 13th-century Japanese text. One volume in length, it is the oldest existing Japanese text on prose literary criticism.[1] The author is unknown, but the leading candidate proposed is Shunzei's Daughter.[2] Other candidates who have been proposed include her maternal grandfather, Shunzei himself, and the monk Jogaku (Shang Jue ).[3]
Composition
[edit]One manuscript gives the title as Kenkyu Monogatari (Jian Jiu Wu Yu ),[1] a reference to the name of the era in which it was written. Composition occurred between 1200 and 1202.[4]
The author is unknown. Hypotheses include Fujiwara no Shunzei (c. 1114 -1204); his granddaughter, often called "Shunzei's Daughter" (c. 1171 - 1252); Jokaku (1147-1226); and Shikishi Naishinno (1149-1201); but strongest support is for Shunzei's daughter.[1][4]
Contents
[edit]The volume is composed of four distinct sections: a preface, literary criticism, poetic criticism, and a discussion on prominent literary women.
The preface introduces an 83-year-old woman on a trip. She stops to rest at a house, where she writes down the conversation of a group of women talking about literature, creating a frame tale excuse to write the volume. The frame tale itself has many elements from monogatari of the time.[5]
The literary criticism covers 28 stories, including Genji Monogatari, Sagoromo Monogatari (ja), Yoru no Nezame, Hamamatsu Chunagon Monogatari, and Torikaebaya Monogatari. The others mostly do not exist anymore.[1][4][6]
For poetic criticism, it covers Ise Monogatari, Yamato Monogatari, Man'yoshu, and private and imperial collections. The editor laments the lack of women compilers in the collections.[1][4][6]
It then goes on to discuss the ability and upbringing of a number of prominent women: Ono no Komachi, Sei Shonagon, Izumi Shikibu, Akazome Emon, Murasaki Shikibu and others.[1][4][6]
The text is particularly valuable as a resource, since it includes descriptions of a number of either completely or partially lost texts.[1]
See also
[edit]- Fuyo Wakashu, a collection of poetry from various literary sources, many of which are no longer extant
References
[edit]- ^ a b c d e f g Nihon Koten Bungaku Daijiten (1986:1798-1799)
- ^ Marra 1984 : 116.
- ^ Marra 1984 : 115.
- ^ a b c d e Kubota (2007:341-342)
- ^ Rohlich, Thomas H. (1997). "In search of critical space: The path to monogatari criticism in the Mumyozoshi". Harvard Journal of Asiatic Studies. 57 (1): 179-204. doi:10.2307/2719364. JSTOR 2719364.
- ^ a b c Hayashiya (1973)
Bibliography
[edit]- Hayashiya, Tatsusaburo (1973). Nihon Shiso Taikei 23: Kodai Chusei Geijutsuron (in Japanese). Iwanami Shoten. ISBN 4-00-070023-5.
- Marra, Michele (1984). "Mumyozoshi: Introduction and Translation". Monumenta Nipponica. 39 (2): 115-145. doi:10.2307/2385013. JSTOR 2385013.
- Kubota, Jun (2007). Iwanami Nihon Koten Bungaku Jiten [Iwanami Dictionary of Japanese Classical Literature] (in Japanese). Tokyo: Iwanami Shoten. ISBN 978-4-00-080310-6. OCLC 122941872.
- Nihon Koten Bungaku Daijiten: Kan'yakuban [A Comprehensive Dictionary of Classical Japanese Literature: Concise Edition]. Tokyo: Iwanami Shoten. 1986. ISBN 4-00-080067-1. OCLC 22820487.
Further reading
[edit]- Marra, Michele (translator) (Summer 1984). "Mumyozoshi. Introduction and Translation". Monumenta Nipponica. 39 (2). Sophia University: 115-145. doi:10.2307/2385013. JSTOR 2385013.
{{cite journal}}:|first=has generic name (help) - Marra, Michele (translator) (Autumn 1984). "Mumyozoshi, Part 2". Monumenta Nipponica. 39 (3). Sophia University: 281-305. doi:10.2307/2384595. JSTOR 2384595.
{{cite journal}}:|first=has generic name (help) - Marra, Michele (translator) (Winter 1984). "Mumyozoshi, Part 3". Monumenta Nipponica. 39 (4). Sophia University: 409-434. doi:10.2307/2384574. JSTOR 2384574.
{{cite journal}}:|first=has generic name (help)